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艺术研究杂志

Art Research

主管单位:哈尔滨师范大学
主办单位:哈尔滨师范大学
国际刊号:1673-0321
国内刊号:23-1529/J
审稿时间:1个月内
全年订价:¥ 408.00
创刊:1998
类别:哲学与人文科学
周期:季刊
发行:黑龙江
语言:中文
起订时间:
曾用名:艺术信息与交流;艺术交流
出版社:院校类
邮编:150080
主编:高卉民
库存:200
文艺理论
艺术研究杂志简介
艺术研究杂志简介

《艺术研究》(季刊)创刊于2004年,是由哈尔滨师范大学主管、主办的艺术类综合性学术期刊。其办刊宗旨为:坚持正确舆论导向,面向全国艺术类高校及艺术界人士,突出学术性,为艺术理论研究、艺术创作、艺术教学提供探讨平台

《艺术研究》杂志内容涵盖:美术、设计、音乐、表演、艺术教育以及艺术史论研究。我们一贯秉承“古为今用,洋为中用,推陈出新,百花齐放,百家争鸣,为建设社会主义和谐社会服务”的原则,坚持学术性、前瞻性、包容性,立足艺术领域、突出学术氛围。

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艺术研究杂志社介绍

艺术研究稿件要求

1.来稿应为作者创作,并为首发稿。文稿必须主题突出、论点明确、论据充分、数据可靠、逻辑严密、语言精炼、图表清晰。

2.艺术研究每版1900字左右,来稿字数以整版为宜。

3.稿件编排顺序为:

(1)标题:一般不得超过20个字,必要时可加副标题。

(2)作者姓名:置于标题下方,多位作者的署名之间空一个字节。译文的署名,应著者在前,译者在后,著者前用方括号标明国籍。

(3)中文摘要:一般不超过200字。英文摘要的内容应与中文摘要相对应。中文摘要前以“摘要:”作为标识;英文摘要前以“Abstract:”作为标识。

(4)关键词:一般可选3-5个。多个关键词之间用分号分隔。中英文关键词应一一对应。中文关键词前以“关键词:”作为标识;英文关键词前以“Keywords:”作为标识。

示例:

关键词:《左传》;语言艺术;修辞;交际语言

(5)正文:文内标题简捷、层次分明。文字、标点及数字的运用应符合规范。

(6)注释:主要用于对文内某一特定内容作必要的解释或说明。须在文内某一特定内容的最末一字右上方用带圆圈的阿拉伯数字标明序号(例①、②表示),全部注释按序次排在文末。

(7)参考文献:采用顺序编码制,按照正文中出现次序列于文后。以“参考文献:”(左顶格)作为标识;序号(左顶格)用阿拉伯数字加方括号标示;每一条目的最后均以实心点结束。
文献类型标识方法:专著[M],论文集[C],报纸文章[N],期刊文章[J],学位论文[D],报告[R],标准[S],专利[P],专著、论文集析出文献[A],其他未说明文献[Z];数据库[DB],计算机程序[CP],电子公告[EB],磁带[MT],磁盘[DK],光盘[CD],联机网络[OL];联机网上数据库[DB/OL],磁带数据库[DB/MT],光盘图书[M/CD],磁盘软件[CP/DK],网上期刊[J/OL],网上电子公告[EB/OL]。

其格式为:

专著、论文集、学位论文、报告——[序号]主要责任者.文献题名[文献类型标识].出版地:出版者,出版年.起止页码(任选).

(8)文末写明作者单位全称、电话及通讯地址、E-mail。如有需要,可加注作者简介。

艺术研究文字处理

1.来稿采用Word格式保存,纸张类型为A4纸。

2.来稿文责自负,切勿一稿多投,本刊有权删改文章,作者如不同意删改请在来稿末声明。来稿在1个月内未收到通知者,可自行处理。限于人力,恕不退稿,请作者自留底稿。

艺术研究投稿方式

1.邮寄:打印稿一份,附光盘,标注联系电话。寄至:哈尔滨市南岗区和兴路50号哈尔滨师范大学艺术学院《艺术研究》编辑部邮编。

2.网上投稿:通过电子邮件,文稿作为附件,为区别其他邮件,请作者在邮件的“主题”栏内注明“新稿件”。如向编辑部询问或咨询问题,请在“主题”栏内注明“投稿咨询”字样。

收稿及录用

1.稿件收到后,我刊将以电话或电子邮件方式通知。

2.本刊入编《中国学术期刊(光盘版)》、《万方数据库》及《维普数据库》,所刊文章全文通过中国期刊网入网。来稿不同意入编光盘及上网的请先注明。

艺术研究较新文章
  • The West-East Jade Transmission and the Formation of Chinese Civilization

    作者:Ye; Shuxian 期刊:《艺术研究》 2019年第06期

    The major program of Chinese Academy of Social Sciences completed in 2012, entitled “The Research on Myths and Legends about Chinese Civilization Source”, led to such a conclusion: The imaginative myths and legends generated along with the Chinese civilization has a profound prehistoric root, far beyond the limit of the Chinese character generation period. The main path of Chinese myths and legends lies in the jade mythology and resulting jade belief. When viewing the origin of jade from a perspective of mythology, we find each major jade (e.g., jade ring, jade arc) form is covertly driven by a mythological concept. The investigation of the era and regional distribution of unearthed jade wares may outline the spreading path map of the jade mythology and belief.

  • Da Nao": The Internal Structure and Cultural Code of "Re Nao

    作者:Li; Yong; ping 期刊:《艺术研究》 2019年第06期

    The essence of the character “Nao” had already been fostered in the western Han Dynasty. It is the latter word of the expression “Re Nao”, which essentially refers to lively and bustling with excitement in folklore, maintains immensely prolific social functions. Re Nao (jollification) exists as an integral part in the internal structure of rite of passage or the adult rituals of transit. Re Nao aids in devising a warm atmosphere and reorganizing the living environment. It is the way to go through the threshold stage, which leads to the entrance to a new stage, while the ceremonial undertakings under this threshold stage help in eradicating pollution and restoring cleanliness. The internal mechanism of Re Nao includes the transitional ceremonies in the perilous double test of nature and society: while in the folk custom ceremony, the ritualistic suppressing and trapping of demons is completed by the shaman. Da Nao (causing chaos and noise) breeds danger to vitality and harmony or chaos for the coexistence of humans and gods.“Da Nao” and “Re Nao” are popular complementary representations of folk ceremonial activities. It was witnessed in the past, celebrations like New Year’s Eve, Lantern Festival, Fang Xiangshi (Chinese ritual exorcist—one who sees evil in all four directions), Tongzi (cosplay done by the villagers) and the festival demonstrating invisible transcendence of the world (world of ghosts) displayed fierce spirit and were eminently lively. It can be said that for the spiritual time and sacred space of the traditional society, it is vital to periodically perform the rites of “Da Nao—beheaded demon”: and perform the scenes of “Re Nao” ceremony through Da Nao rites to fulfill the purpose of purification.

  • The Cultural Interpretations of "Golden Sound and Jade Vibration"

    作者:Hu; Jiansheng 期刊:《艺术研究》 2019年第06期

    Limited by the writing habits of the small tradition, conventional scholars tend to interpret "golden sound and jade vibration" as a musical tempo representing virtues of saints. In fact, we can prove how "golden sound and jade vibration" are closely linked to the sacred material beliefs (e.g.,"holy gold","holy jade") and the prehistoric religious ritual activities, by using various oral cultures and physical images, deeply exploring the profound cultural roots of "golden sound" and "jade vibration" in the local knowledge tradition and tracing its genetic system back to the prehistoric Jade Age and Bronze Age. The concept of "golden sound and jade vibration" is the sacred aural symbol of the "sage" entering the imaginary and illusionary realm. It also highlights the genetic system of the sage having "great accomplishments" and the Chinese ritual music system.

  • Jade Bi and Gui: A Reconfirmation on Zhouli Completed in the Early Years of Han Dynasty Based on Sacrificial Ceremony

    作者:Tang; Qicui; Gong; Weijun 期刊:《艺术研究》 2019年第06期

    As an classical book which disputes endlessly on the completed time but systematic and detailed record on official function, rituals and sacrificial vessels, Zhouli (Rites of Zhou) has become a paradoxical existence: on the one hand, it’s a crucial reference document frequently quoted for reconstructing the propriety in the past dynasties and explaining the ritual remains in modern archeology;on the other hand, its authenticity and edition age are always questioned. So the completed time of Zhouli is still a bottleneck problem and cannot be ignored. This article focuses on the tradition of sacrificial jade Bi and Gui based on the written documents and archeological findings, demonstrate once again that Zhouli was completed in early Han dynasty.

  • A Study on the Traditional Chinese Traditional Architectural Form of Mythological Tradition

    作者:XIONG; Cheng-xia; ZHANG; Ai-jia 期刊:《艺术研究》 2019年第06期

    Objective Through the metaphorical archetypal spirit and mythological semantics of Chinese character structure, this paper explores the metaphorical mythological gene and the moral order of the Chinese character structure, geographical thinking and aesthetic orientation of the mythological prototypes derived from the Chinese characters. Method The cultural archetypes and the theories of big and small traditions are adopted to sort out the mythological beliefs in the former architectural forms of the big traditions and the ethical narrative system carried by the buildings in the small cultural traditional societies. In the architectural archetypes dominated by big and small cultural traditions, the thinking of “archetypes and ethics” is found to be a homologous gene, which confirms the universal significance of the spirit of Chinese Confucian ethics to the power of Chinese civilization flowing and inheriting and human morality. Conclusion The structure of Chinese characters has the function of “recording” and “interpreting”, and the mythological thinking of architectural form materials, understands the ultimate transformation of cultural archetypes in creation, and guides the value of the traditional architectural design of “bringing out goodness and symbiosis” in the contemporary era. To relieve the material pursuit of spiritual enjoyment at that moment, to promote cultural heritage and the role of social treatment, to build cultural identity and the spiritual transcendence of the existence value of space ethics and the overall social and cultural identity.

  • Myth Thinking and the Mysterious China

    作者:Yu; Yurong 期刊:《艺术研究》 2019年第06期

    Seeing from the other, China’s image changes with process. Scholars understand China from the perspective of different myths with various conclusions and arguments, of which different ways of thinking resulted in mysterious China. From the subjectivity of it, the connotation of mysterious China needs the paraphrase and understanding from the local scholars’ understanding of the myth.

  • Name and Reality, Physical Usages and Meaning: A Study on the Origin of Dan Culture

    作者:Zhang; Ying 期刊:《艺术研究》 2019年第06期

    “Dan” is a Taoist method that integrates Chinese life culture. Between things and non-things, as the holy things that condense the essence of heaven and earth, Dan is not only the survival philosophy and life science passed down from generation to generation for thousands of years in China, but also the life aesthetics accompanied by the present reality. It creates, carries and reflects the thinking logic, perception mode and living habit of local traditional culture. It is the most important and rich “home heritage” of Chinese traditional culture.

  • Transplantation and Borrowing: the Spread of Northwest China's Folk Tales in East Asia

    作者:Su; Yongqian 期刊:《艺术研究》 2019年第06期

    The spread of northwest China’s folk tales in the Donggan region of central Asia mainly includes two aspects: First, Donggan folk tales transplanted to the northwest folk tales. As the Donggan people migrated from northwest China, folk tales from northwest China were also transplanted to central Asia. In the absence of written records, these stories also mutate as they are passed down through the mouths and ears of foreign peoples. Secondly, Donggan folk tales borrowed from northwest folk tales. Some plot units in Donggan folktales are very similar to those in northwest China, but the specific characters and plot structure of the whole story are obviously different from those in northwest China. This kind of folk stories are new stories created by Donggan people who borrowed the parent story of folk stories in northwest China and recombined it with other plots. With comparative study of folk tales, the profound cultural ties between the two places can be revealed.

  • The Artistic State of Ancient Chinese Classical Poetry

    作者:Yang; Qingcun 期刊:《艺术研究》 2019年第06期

    The “poetry” is the spiritual and artistic creation of human during historical practice and civilization development, as well as a kind of literary style with both refined and popular tastes, strong flavor of life, wide range of dissemination, and strong vitality of art. While,“Ci”, as one of the poetry types with strong national characteristics, has always been enjoying the same reputation as “poetry” in the history of Chinese literature development.

  • Some Achievements and Problems of the Protection of Chinese Mask Culture

    作者:Bi; Xuling 期刊:《艺术研究》 2019年第06期

    Chinese mask culture has a long history and a great variety. The protection of Chinese mask culture has made a lot of progress at the beginning of the 21st century. However, the protection of China' mask culture is still facing great challenges. First, the lack of inheritors is the most important issue in the cultural heritage of Chinese masks. Second, Shoddy mask products also influenced the development of mask art. Third, the issue of intellectual property protection of masks meet some difficult. Fourth, the basic activity place of folk mask art is the countryside. Only by protecting the whole mask art can we effectively protect the living mask. We should explore an approach for holistic conservation.

  • The Interpretation of "Ju Men","Wen Qu" from Kun Ren Yi of Qing Nang Ao Yu-Also Discuss on the Cognition of the Study of Traditional Feng Shui

    作者:Liu; Yi; Zhang; Yan 期刊:《艺术研究》 2019年第06期

    There are three different opinions of the first sentence from Qin Nang Ao Yu (青囊奥语), which was written by Yang Jun-song (杨筠松). They are “Kun Ren Yi (坤壬乙) should start from the star Ju Men (巨门)”;“Kun Ren Yi should start from the star Wen Qu (文曲)” and “Kun Ren Yi should start from both the star Lian Zhen and the star Ju Men (Lian Ju (廉巨))”. Because of the sectarianism,though the people were at odds with the opinions, we cannot find out any comprehensive and objective study on these. According to the analysis of some relevant literatures, it can be seen that there are two viewpoints nowadays. One of the viewpoints deemed that the first sentence was falsified by Jiang Da-hong (蒋大鸿), and another one deemed that was falsified by Zhang Shou-qi (张受祺). But neither of the view was credible. More precisely is that “Wen Qu” and “Ju Men” were both found in the publications simultaneously, and there were more “Wen Qu”, during the period of the end of the Ming Dynasty and the era of the emperors Kangxi and Qianlong of the Qing Dynasty. The influence of “Ju Meg” was gradually spread when Jiang Da-hong used it in his book and also Si Ku Quan Shu (四库全书) cited it, then let to more pithy formulas of “Ju Men” to be used now. And the “Lian Ju” was rare to be used except Duan Mu Guo-hu (端木国瑚) who used to use it. The way of interpretation is so multiple and complex on the “Wen Qu” and “Ju Men” from the Qin Nang Ao Yu, according to the perspective of Feng Shui, which is reflecting the pluralism and uncertainty of the interpretation of the traditional Feng Shui. And it is still need to be required a further more careful consideration on how to treat the studies of the traditional Feng Shui for the nowadays scholars.

艺术研究杂志分期目录
艺术研究杂志网友评论
较新评论
yangyon** 的评论:

回复特别块,编辑还回复,艺术研究杂志偏向于宏观问题,我的论文偏向于单一学科,让我重新整理一下文章再进行投稿,这个杂志还是蛮好的,谢谢。

2019-10-24 12:20:06 回复
fengjin** 的评论:

8月收到艺术研究杂志的修改意见,意见也就一条结论需要深化补充,其他是格式问题。为编辑部的效率点赞!后续刊发事宜会再来汇报!个人认为,偏重博士或者副教授以上作者,硕士须挂导师。总体上讲,该杂志确实比较公平客观。

2019-09-24 10:42:02 回复
lifengt** 的评论:

艺术研究杂志编辑人挺好,我的责任编辑和我讨论了论文的一些信息方面的东西。一个女性编辑打电话告知如无意外会近期安排刊出。

2019-07-31 16:57:11 回复
lingjin** 的评论:

艺术研究杂志编辑和审稿人都很负责,稿件处理效率很高,从投稿到出版的时间非常短,半个月就给了审稿意见,只是一些格式问题,对于文章的内容和结论都没有改动和质疑的地方,大家要对文章有信心。

2019-04-28 17:44:03 回复
zhangxu** 的评论:

艺术研究杂志半月左右的审稿周期,编辑亲自打电话询问稿件情况,后期修改过程中责任编辑非常负责,逐字逐句和我商量文章的修改!确实是不错的杂志!

2019-03-28 17:15:25 回复
caoweny** 的评论:

联系过他们的编辑,说专家意见很不好,过了些日子,返回了修改再审的意见,感觉专家的意见很良心,看东西比较细腻,犀利!如果有创新点的话,比较容易中。

2019-03-22 17:32:27 回复
wentian** 的评论:

《艺术研究》的态度非常专业,外审专家提出了中肯的评审意见,而且投稿有跟踪系统,每一项都有开始时间,预计完成时间,实际完成时间,而且基本能按期完成,这一点很好。

2019-03-17 22:52:56 回复
wangxia** 的评论:

投稿第一篇文章消息已下来,修改后再审,认真修改了半个月返回,然后没过几天确定录用~很开心!第二篇文章仍然在外审中!希望第二篇同样能够有好消息!我总结了一个规律,若外审结束进入主编审查阶段,一直没消息,说明基本就没问题了,若被拒,一般第二天或者第三天就通知!所以,外审结束后没有消息基本就是好消息了!

2019-03-11 09:25:07 回复 1
  • 1891550** 的回复:

    之前收到录用信息,说是汇款后发在第五期上,季刊怎么会有第五期呢?真假难辨的,烦请告知真正的投稿渠道及联系方式,谢谢!联系电话:18915500301

    2019-03-14 17:18:42 回复
gerhje_** 的评论:

12月3号投的稿件,12月17号初审完毕。之后送外审,一个专家给出的建议是改投它刊,一个是建议修改后再审。最后还是录用了。月末收到的通知,总体而言速度是国内比较快的了。

2018-12-30 16:23:06 回复 1
  • 1891550** 的回复:

    之前收到录用信息,说是汇款后发在第五期上,季刊怎么会有第五期呢?真假难辨的,烦请告知真正的投稿渠道及联系方式,谢谢!联系电话:18915500301

    2019-03-14 17:24:44 回复
gvser2_** 的评论:

投稿之后,大概两周两个专家的审稿意见就出来了,一个认为可以发表,另外一个认为主题不符合本刊方向,但是具体意见比较缓和,提出原则性的修改问题。然后编辑给出了修改后发表。感觉挺好的。

2018-12-11 16:02:50 回复
haojian** 的评论:

本专业内不错的期刊,专家意见也不错,本人文章写得不合要求,被拒难免……就我投的一篇可以做出如下评价:审稿速度较快,一个月内就有审稿结果;外审专家提的意见很有见地。希望对大家有帮助!

2018-11-21 17:01:38 回复
dawffwf** 的评论:

该刊物的期刊态度非常专业,外审专家提出了中肯的评审意见,该编辑部也非常负责任,提出的每个意见都写得也非常详细明确,本人觉得该期刊在业界来说是专业、负责的。发展也会越来越好!

2018-10-25 10:06:18 回复
heming_** 的评论:

本专业内不错的期刊,专家意见也不错,本人文章写得不合要求,被拒难免……就我投的一篇可以做出如下评价:审稿速度较快,一个月内就有审稿结果;外审专家提的意见很有见地。希望对大家有帮助!

2018-09-20 11:31:15 回复
modimei** 的评论:

期刊审稿速度很快,编辑态度很好,中间催过一次稿,编辑回复的很及时。个人感觉难度不大,一般都会送审。只要文章稍有新意或者内容丰富就能发表,主要还是回答审稿人意见的时候态度一定要表现出认真和诚恳。

2018-08-21 16:34:19 回复
jkdhks_** 的评论:

投稿后,修改意见很快就会出来,审稿专家和编辑部老师都很负责,效率比较高。一般从投稿到通知接受基本上1个月搞定,对于急于文章毕业的研究生来说很实用。

2018-07-18 09:53:53 回复
sdfgrg** 的评论:

编辑很负责,修改很仔细,态度也很好,就是有次打电话问发票的情况,接电话的凶了点,可能是领导。总体上不错,自己的收获也挺大,毕竟是第一次投稿。编委很负责任,修改后在文中标注,修改后回复也很快,前后共持续了1个月。

2018-04-14 15:07:51 回复
gaozhen** 的评论:

审稿人的意见不多,但是都挺有价值,改了文章结构、做了验证实验。值得一提的是,编辑的排版意见简直不要太仔细。。。足足有十几页。太负责了!这样的编辑团队,也是值得夸赞的!

2018-01-16 11:23:20 回复
huangyu** 的评论:

审稿速度很快,审稿老师由一批老教授组成的审稿专家,非常棒,给出的意见也很独到,逐条修改即可。也可驳回,审稿20几天左右,喜欢该期刊的可以试着投一下。

2017-12-25 15:44:25 回复
sdhyjr** 的评论:

投稿了一个月,终于录用了。找了三个专家,两个拒审(汗!),一个同意录用,不知道是不是我写的文章研究范围有点偏。审稿速度快,就这点就比其它好多期刊强多了,赞一个!

2017-12-15 16:01:23 回复
yuanxia** 的评论:

约1个月修改后录用。关于审稿专家,很认真。但是有的问题个人感觉他们没有看清文章(有些问题不还是很犀利的),做了很大的修改说明,复审超快。

2017-11-10 11:35:10 回复
guoqian** 的评论:

快递超级给力的,书的质量也很好,是正版的,比其他网站值得信赖,包装也还好,没有破损的,以后就在发表之家买书啦!

2017-09-27 16:49:46 回复
srgert** 的评论:

审稿速度还是很快的,我是今年1月底投的稿,2月中下旬发“退改通知”了,编辑部老师很好,提了很多中肯的修改建议,修改后再投回本刊,一周后,就录用了!

2017-05-05 11:36:06 回复
edfbi** 的评论:

很正规的杂志,投出后三天左右安排外审,每一步进程都可以在投稿网站上看到,总共1个月,补数据和表征花了近半个月,修改稿提交后当天就录用了,整个投稿过程中没有询问或催促过编辑部。根据网上的经验,只要是退修就基本上没问题了,不过一定要认真对待每一条修改意见。

2017-02-25 15:38:43 回复
hthy** 的评论:

整体感觉编辑很认真负责,一点微小的错误都会审出来,很敬业,中间打过电话咨询过一次,态度也很好。不过相对国外杂志,速度还是有点慢了,当然可能是稿件过多,编辑忙不过来,收到邮件都是下班,有次还是晚上十点多,编辑也挺辛苦的。还是希望以后能加快点速度,祝《艺术研究》越办越好,质量越来越高。

2017-02-17 14:50:41 回复
zhenxia** 的评论:

编辑老师很nice,审稿老师的意见不是很尖锐,但是绝对很中肯,另外,在回复审稿意见的时候,应该要认真一点,最好针对审稿老师每一条意见有针对性性的回复,要不很可能被据稿.

2016-08-04 09:55:00 回复
fuquan** 的评论:

编辑部的效率很高,修改了三次,先是修改后再审,最后修改后终审。希望大家都有好的运气。编辑晚上都在加班,有次晚上11点多我修回稿件,第二天8点不到编辑就提出了一些格式的修改意见,效率高。

2015-09-07 09:48:56 回复
yanglan** 的评论:

艺术研究审稿速度比较快,5月18号投的稿,6月20号收到审稿通知邮寄审稿费,6月29号网站公布,7月7号收到录用通知。还是挺容易中的!我没有打过电话所以不晓得人家态度是否恶劣。

2015-07-08 09:44:17 回复
daoren** 的评论:

同学投的一篇,一星期左右交审稿费,2周左右返修,修回又2周直接录用,我的是一星期左右交审稿费,2周左右返修,修回40天再次返修,第二天提交直接录用,总体来说还挺快的,很不错。

2014-12-03 08:30:24 回复
dfgh** 的评论:

审稿速度比较快,投稿后1个小时交审稿费,并马上开始审稿!一个月后给的修改意见,修改后马上后录用。

2014-10-14 15:36:31 回复
junjun** 的评论:

感觉评审速度还算看,外审的意见非常多,而且专家审得很仔细,而且看得出来是真心懂行的,甚至一眼看出一个细小的错误,同时对于数据会仔细看。

2014-09-01 15:52:16 回复
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