摘要：列夫·托尔斯泰和居斯塔夫·福楼拜分别在其经典作品《安娜·卡列尼娜》和《包法利夫人》中塑造了大胆追求爱情的女主人公安娜与爱玛形象。本文尝试从同情和惩罚双重角度来分析两位女性悲剧命运的起因及异同,以开拓俄法女性文学研究的视野。
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